Delayed Conversations
2022 . Glazed terracotta clay.
10”x 22” . 5”x 23”
This piece is an attempt to materialize voice and conversations, memories that exist outside of time, with no beginning or end.
Ensayo sobre la tensión
2022 . Stoneware clay, natural and synthetic yarn, wool.
6’x 7’x 5’
A material study from which I attempt to understand the dynamics and connections that exist between people in my life.
To Bare Witness/To Wear Whiteness
2022
Participatory performance facilitated by paper mache wig, based on a French monarchy powdered wig.
Performance inspired by personal conversations, and the book Me and White Supremacy by Layla Saad.
The Storage
2022 . Terracotta clay, natural and synthetic yarn, human hair.
16”x 18”x 12”
(body pots project)
Restauración I
2022 . Natural and synthetic yarn, wool, ripped fabric, typewritten personal text on paper.
13"x 32"x 7"
With this weaving, I decided to create a pillow, an object to give rest to my father’s troubled head and broken mind.
Paisaje familiar
2022 . Glazed stoneware clay, natural and synthetic yarn, human hair. 12’x 8’
My family is, as many others, an amalgamation of individuals that demand to stay tightly tangled together.
Untitled_ (building/burning bridges)
2022 . Set dinner table with AI generated images based on personal photo data.
4’x 4.5’x 3’
Existing at home, surrounded by a space that I'm constantly building and shaping with my partner and my dog, makes me feel like I exist within safety.
CASA se dice HOME, GELATINA se dice YELLOW
2022 . Time-based media.
00:05:47
CASA se dice HOME, GELATINA se dice YELLOW is the first part of a short film in which I'm attempting to associate and reconstruct my father as jello.